Lines, 37 White with Brass
$2400
14 x 8 x 7
Porcelain slip-cast. The ceramic form starts as a straight cage of wet clay and finds its own shape while in the kiln. The brass wire is added after the firing.
Since I don’t decide the final form of my pieces, there is sometimes a gap or broken line that I fill with a piece of brass wire after the firing to uplift the piece instead of discarding it. This is a 3D play on the practice of Kintsugi, the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold.
Lines, 26 Black
$1100
10 x 10 x 9
Porcelain slip-cast. The ceramic form starts as a straight cage of wet clay and finds its own shape while in the kiln.
For the black lines I mix the porcelain slip with a ceramic stain before casting the piece. This way the piece has the color all the way through the clay instead of a surface treatment. This allows me to have a sanded matte finish, without requiring added color or glaze application.
The State of Clay
LEXART - Lexington Arts & Crafts Society